Here his paintings and style morphed again. Like a rolling stone, Kote moved to New York, The Big Apple, in 2009.
Achieving this goal, however, only made him strive for higher ones. Thanks to a host of avid collectors worldwide Kote saw his dream and years of labor come to fruition. The paintings from this period, many of them masterpieces, are a clear indication of the continual development of Kote's style and his fluidity and growth as an artist. His color and style moved away from the impressionistic influence toward a more expressionistic feel. Already renowned for his beautiful portraits and scenic paintings, Kote now garnered additional kudos for his gorgeous cityscapes and snow scenes. Highly respected, the young artist did well and received many important commissions, including in 1998 The Meeting of the Leaders for the Hellenic Cultural Union in Thessaloniki which depicted the Assembly of the Founders of Modern Greece, and a portrait in 2000 of the former president of Greece, Konstantinos Stephanopoulos, for the Greek community in Toronto.Īfter a very successful 10 years in Greece, Kote was weary to rest on his laurels, and he moved to Toronto.
Kote began his professional career as a scenographer at the Petro Marko Theatre in Vlore, but in late 90-s the 26-year-old artist grew restless and decided to debark to Greece, where the warmth of the Mediterranean sun and brilliant light infused his paintings in tone and style and lent them a more impressionistic air. It had set him on his lifelong journey to find his own unique style and language, to create stupendous paintings pulsating with the light and energy that he sees all around him. The years of practice and his 8-year solid art education had prepared the young artist well to pursue his life's quest of living and breathing art. In 1988 Kote graduated with a diploma in painting and scenography. While still in school Kote also worked at a movie studio, and made a small but well-received animation film "Lisi". Yet even as a student he wanted to break loose of the limitations, he wanted to experiment and grow, sometimes leave paintings seemingly unfinished, shatter the boundaries of classic realism. In 1984 Kote followed this amazing feat by being accepted into the "Academy of Fine Arts" of Tirana, where J.K was educated in the traditional approach of the old masters. Ultimately, after competing locally and nationally, he was awarded a coveted spot at "National Lyceum of Arts" in Tirana.
He focused on getting accepted into the finest art high school of his native Albania. By the age of 13, he had made up his mind to become an artist and devote his life to the arts. Influenced by many places where he lived, Albanian-born artist Josef Kote began his journey towards artistic self-discovery in his youth and never looked back.įrom very young age he was endlessly drawing and had the innate urge to create. The results are paintings that tremble in stillness with energy and light. Kote's trademarks are his bold brushwork and sweeping strokes of vibrant colors applied - more often than not - with a pallet knife, while other areas of the canvas are left monochromatic and devoid of detail creating a negative space that lets the eye drift to infinity. With the lightness of a true master's hand, he combines classic academic and abstract elements, fusing these, literally letting them run into each other with dripping rivulets of riveting colors and light. Kote achieves this delicate balance of seemingly contradictory qualities through his complete mastery of technique, and through years of experimenting to find his own unique style. They are lyrically stunning and romantic, edgy and current. Drawing on inspiration peculiar to their experiences, the artists produce an array of landscapes of the spirit in nature, figures in relationship, abstract designs of feeling and spirit, and visual evocations of creativity and intuition.Īs they developed the art for this exhibition, the painters gathered periodically to share their inspiration and ideas, their sketches and challenges, their feedback and suggestions, and their appreciation of each other’s translations of The Divine Feminine.The paintings of Josef Kote (b.1964) are symphonies of light and color. Each focuses on an aspect of The Divine Feminine: the natural world, relationships, the containing vessel, and the shape of the feminine.
In this exhibition, four artists express their interpretations of The Divine Feminine in personal and unique ways. It is the soul’s yearning to connect with the infinite. It is the sacred, sensuous, and invisible presence that urges us to explore, express, and grow. What is “The Divine Feminine”? It is the spirit of empathy, connectedness, wholeness, and creativity that dwells within and around us. Participating Artists: Elisabeth (Beth) Hudgins, Linda Maldonado, Elise Ritter, Deborah Taylor